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by Mal Bray
$28.00
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Purchase a tote bag featuring the photograph "Old Morris Cowley 1200 Car" by Mal Bray. Our tote bags are made from soft, durable, poly-poplin fabric and include a 1" black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image.
Design Details
His new Morris Cowley was launched on 14 July 1954[8] as a smaller engined more simply furnished supplement to the Morris Oxford series II launched... more
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his new Morris Cowley was launched on 14 July 1954[8] as a smaller engined more simply furnished supplement to the Morris Oxford series II launched two months earlier.[9] The engine, the 1.2 L (1200 cc) B-Series unit was a new design also used in the Austin A40 and Nash Metropolitan. Its power output was 42 bhp at 4,500 rpm.[9]
The monocoque body shell was that of the four door Morris Oxford Series II, the Cowley also sharing its torsion beam front suspension and live rear axle but with smaller 8 in (203 mm) brake drums on early models. Some of the Oxford's exterior chrome has been removed to simplify the appearance and some has been replaced with stainless steel. Plastic-covered felt has been used in place of interior carpet. Quarter lights are fixed on the Cowley though the main windows wind down in the usual way.[9] Steering was of the conventional rack and pinion type.[10] The car had a top speed of just over 70 miles per hour (110 km/h).
The British Motor magazin...
Here at FineArtAmerica and my personal websites: pixsee.co.uk and malcolm-bray.pixels.com, I am showcasing digital, mixed media and hand painted interpretations of music related themes and subjects: musicians, instruments, performers etc. With a passion and love of music, I find this offers me my favourite material for interpretation and development. Derivative works like these are presented here as enhanced portraits of the world's great musicians and other popular personalities. Each work is unique in the processes used to create them. I combine traditional techniques of pencil and pigment with digital brushwork, textural overlays, colour enhancements and layered motifs to create images that aim to 'fit' the subject's individual...
$28.00
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